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可以說是一種他們視角的表達(dá)，現(xiàn)狀是這樣的?；蛘哒f結(jié)果變成了這樣?？杀镜氐木W(xué)生不應(yīng)該思考一下結(jié)果為什么會變成這樣。

看到第3集忍無可忍開了倍速。從何時開始編劇不負(fù)責(zé)編劇只負(fù)責(zé)挖坑，角色不再是角色而是exposition機(jī)器。加上一些on the nose的symbol和一些不明覺厲的符號，安排上受壓迫的東亞女性形象，再點綴起repressed but hypersexualized的基佬，齊活！

野生動物化妝之后很像真的寵物！原來兔子是可以用來打兔子仗的~~~

Narrative is fluent and the performance of the two leading roles are good enough. Still the main issue is about the script. As a documentary movie, clearly it wasn’t realistic enough. When there’s a challenge comes to them, the audience wants to know the whole process of how they dealing with it in such a awful situation not a frame of days number.

看了一集半看不下去了，一群老演員，硬在這尷演個腦殘劇本。